Understanding soundness and motivations in chess puzzles, problems, and studies

What makes chess puzzles, problems, and endgame studies sound – or unsound? Why do some puzzles seem to contain “sub-optimal” moves by the opposing side? Is a problem or a study faulty if its thematic variation isn’t apparently “forced”? These sorts of questions are often raised, and it’s certainly important

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Understanding soundness and motivations in chess puzzles, problems, and studies

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